A Tale of Two Cities During the turbulent days of the French Revolution, Frenchwoman Lucie Manette falls in love with Englishman Charles Darnay who's hiding his true identity and purpose. An ex-aristocrat from France and an alcoholic English lawyer find themselves crossing paths and in love with the same woman during the French Revolution.
An Englishman on a Ruritarian holiday must impersonate the king when the rightful monarch, a distant cousin, is drugged and kidnapped. Two men, one an aristocrat and one a drunken lawyer, fall in love with the same woman during the early stages of the French Revolution. A noblewoman discovers her husband is The Scarlet Pimpernel, a vigilante who rescues aristocrats from the blade of the guillotine. An amnesiac World War I veteran falls in love with a music hall star, only to suffer an accident which restores his original memories but erases his post-war life.
In early 19th Century France an ex-convict who failed to report to parole is relentlessly pursued over a 20 year period by an obsessive policeman. A plane crash delivers a group of people to the secluded land of Shangri-La - but is it the miraculous utopia it appears to be? Dissipated lawyer Sydney Carton defends emigre Charles Darnay from charges of spying against England. Charles Dickens would have stood up and applauded had he seen this fabulous version of his classic tale. There are no words adequate enough to praise the fine performances in this film dealing with the French Revolution.
Ronald Colman is memorable as Sidney Carton, an alcoholic lawyer, who gave up his life to save the husband Donald Woods of the woman he loved. The woman, played by Elizabeth Allan, was strong in emotion and very appealing. The supporting performances are first-rate.
Who can forget the fight scene between both of these women? Who can forget De Farge's demand that Darnay, the nephew of the notorious Marquis Evremonde, a vicious Basil Rathbone, be put to death for being a member of this elitist family? Yurka tore into this scene a revenge rarely seen in motion pictures. Unfortunately, Hollywood could offer her few parts for a talent as great as this. Oliver, as Miss Pross, shed the right tears, and with sarcastic wit, delivered some of the most memorable lines in this film.
- A Tale of Two Cities by Charles Dickens.
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Her facial gestures along with those of Yurka were something else. You'd also feel for the mobs of the starving French while the aristocrats lived so well. Isabel Jewell, as the condemned seamstress, gave heart in her brief performance. Her emotional outburst, as she nears her fate, will never be forgotten. The dialogue was crisp, the directing by Jack Conway, was first rate. Years later, this classic was remade in It was an extremely poor remake. Foolishly, they weakened the part of Madame De Farge.
As a reader, I need a certain degree of entertainment when reading. Even Jane Austen would interpose her narrative with moments of scathing sarcasm and wit. For me, this is far from the finest work of Dickens despite the fact that it seems to be his most popular. View all 3 comments. Hundreds, thousands of stories long to have a quotable verse, just one. Tale of Two Cities, Dickens masterpiece as far as I'm concerned, is bookended by two of the most recognizable quotes in all of English language.
This is also the darkest story I have read of his, and no doubt, it's about the bloody French Revolution and Dickens spares none of his acerbic wit to demonize what was rightly demonic. Yet, to his credit and genius, neither does he sugar coat the great social injustices that led ir Hundreds, thousands of stories long to have a quotable verse, just one. Yet, to his credit and genius, neither does he sugar coat the great social injustices that led irresolutely to the collapse of the aristocratic French class.
Lacking his usual humor, again understandable, this nonetheless again displays his mastery of characterization. No character is as complete and now archetypal as Madame Defarge. I thought that Bill Sykes was his greatest villain, but Citizeness Defarge was simply a portrait of evil. So many stories hope for a memorable scene and this has many, highly influential since, I thought of several works that had borrowed heavily from TOTC themes especially Doctor Zhivago , many allusions to TOTC, and that also made me wonder was TOTC the first dystopian novel?
The scene between Madame Defarge and Ms Pross was stunning, and made me think of the riveting scene between Porfiry and Raskolnikov in Dostoyevsky's Crime and Punishment. View all 30 comments. Feb 09, Leslie rated it it was amazing. This review has been hidden because it contains spoilers. To view it, click here.
Most satisfying ending in the English language. Yes, the last line is a classic "It is a far, far better thing But this novel delivers such a gratifying experience because there are, in fact, many characters who cover significant emotional ground in their journey to love one woman as best they can. Lucie's father battles his way back from madness under the gen Most satisfying ending in the English language.
Lucie's father battles his way back from madness under the gentle protection of his daughter. Lucie's childhood nursemaid evolves from a comical stereotype to an embattled force to be reckoned with. Lucie's husband's well-meaning if bland noblesse oblige culminates in -- not his hoped-for heroic moment, but a moment of quiet dignity that is most moving for its humility.
Even Lucie's banker reaches dizzying heights of heroic accomplishment when Dickens appoints the quiet businessman the vehicle for an entire family's escape from the guillotine. It is true that Lucie herself engages the reader less than her brutal counterpart -- the broken but terrifying Madame Defarge -- is able to, as modern readers are less moved by the swooning heroines who populate the period's "literature of sensibility.
And when Sydney Carton, in equal parts love and despair, tells Lucie that "there is a man who would give his life to keep a life you love beside you" I go to pieces. View all 20 comments. Apr 13, Candi rated it really liked it Shelves: A solemn consideration, when I enter a great city by night, that every one of those darkly clustered houses encloses its own secret; that every room in every one of them encloses its own secret; that every beating heart in the hundreds of thousands of breasts there, is, in some of its imaginings, a secret to the heart nearest it!
Well, time flies and here I am finally having picked up my copy and actually reading this beloved-by-many classic.
A Tale of Two Cities
In fact, it is a work that for me was more appreciated as a whole rather than for its individual parts. I needed to complete this to fully grasp the plot and the overall merit of the novel. The final portion was entirely compelling and quite brilliant, in fact. This is a novel, as the title suggests, of two cities… that of London and that of Paris.
It is a historical fiction work beginning in which then takes us further into the depths and horrors of the French Revolution. There is an abundance of mystery that I was not expecting, but thoroughly enjoyed. In addition to the juxtaposition of the two cities, we also see the contrasts between good and evil, hope and despair, death and rebirth. As suggested in my opening quote, secrets abound and are slowly revealed.
Characters are drawn well, as one would naturally expect from Dickens, although I never quite felt the emotional tug towards any of them, until near the end. But when I did reach this point, gosh it was worth it! Sydney Carton… an unforgettable man… sigh. When the reader steps through the gates of Paris, one can feel the tension and sense the shadow of what is to come… the atmosphere is so charged with insecurity, suspicion, and dread. If you are born with the wrong blood, happen to land in the wrong place at the wrong time, or sympathize with the accused and the condemned, your life is in danger.
The threat of the Guillotine looms like a monster over the people of the city. Lovely girls; bright women, brown-haired, black-haired, and grey; youths; stalwart men and old; gentle born and peasant born; all red wine for La Guillotine, all daily brought into light from the dark cellars of the loathsome prisons, and carried to her through the street to slake her devouring thirst. Liberty, equality, fraternity, or death; - the last, much the easiest to bestow, O Guillotine! Quite simply, the writing is excellent, but the story itself failed to grab me initially. What was lacking in Two Cities for me was the existence of a character like Jean Valjean, a character so vivid and so sharply drawn that it seems I literally spent weeks in the mind of this tortured soul.
Probably, it is not fair to make this comparison, but there you have it. The development of Sydney Carton was rewarding and the ending of this tale was breathtaking. My rating is at a firm 4 stars, with the hope that someday the re-read will edge it up to the full 5.
Sow the same seed of rapacious licence and oppression over again, and it will surely yield the same fruit according to its kind. View all 43 comments. It was an instant success when it was first published, and its popularity has remained steady ever since, as one of the best selling novels of all time. For many, it is their most loved novel by Charles Dickens. It is one of only two historical novels Dickens ever wrote, and he wanted to try out a few new ways of writing, to celebrate the launch of his new periodical. At this time Dickens felt very at home in France, speaking French fluently, and identifying so much with the French character that he sometimes viewed himself as almost a Frenchman in exile.
He despised any parochial or narrow-minded thinking he might see in English people, and frequently poked fun at them in his writing. Dickens jokingly claimed to have read the book times. Attempting to imbue his new way of writing with more gravitas, Dickens tried to curb, or at least subdue, some of his own habits of fanciful imagination. Along with the less discursive style, he paid less reliance on character development and humour, both more usual indicators of his style. Some readers maintain they do not associate Dickens with humour, and I personally feel that that is due in large part to their familiarity with his later works, especially this one.
If this is the only Dickens novel one has read, it is possible to miss much of its quirky humour. A Tale of Two Cities has been dramatised countless times, and in common with many others I am drawn to each dramatisation. The story is a violent and bloody one, with acts of heroism and intrigue, secrets and lies, imprisonment and torture, sorrow and loss, terror and madness, panic and frenzy.
It describes in detail the depth of depravity a human can sink to, and also instances the pinnacle of an almost unimaginable force for compassion and altruism. The characters once read about here, stay in the mind for ever; they are spell-binding, whether good or evil. There is much mystery, and the development of the story is so tightly plotted that the tension mounts to almost unbearable limits.
The horrors described are both explicit and totally believeable. After much thought, then, I have rated it five stars.
Do I like it? I have to steel myself to read this each time. So this takes nothing away from my reluctant admiration for the novel. It is a deeply spiritual work, with the main theme of resurrection sitting very firmly in a Christian context. It is possible to enjoy the story without necessarily picking up quite how embedded in the novel all the Christian references are. One might see a vaguely spiritual thread of redemption running through, and an idea of a better future life, without picking up on the myriad references to blood, river, cleansing, water, shrouds, love, light and golden threads binding families together.
The 23rd Psalm possibly? A psalm which is often understood by Christians as an allusion to the eternal life given by Christ? In the story, it refers to view spoiler [Sidney Carton, sacrificing himself to the guillotine in the final scene. In other words the 23rd victim is a Christ-figure, who is willingly executed by massed crowds, baying for blood, in the culmination. His death thus serves to save the lives of others, ensuring that his own life gains meaning and value. Dickens liked to make his meanings crystal clear. Between April and November , Dickens also republished it as eight monthly sections in green covers.
He was therefore under even more time constraints to write each episode, and he felt this acutely. His marriage to Catherine was coming to a painful and very public ending, and he was embroiled in a clandestine relationship with Ellen Ternan. As usual he was under a phenomenal amount of pressure, and was beginning to feel the weight of his commitments more than ever.
This is reflected in the more sober feel of this novel. Although written in , A Tale of Two Cities is set against the backdrop of the French Revolution, and starts in It has a comparatively small cast for a novel by Dickens, and we follow just a few individuals through the years building up to the storming of the Bastille, a symbol of royal tyranny, in , the dark years following, and the aftermath of the French Revolution.
Although describing cataclysmic social and political events in France, the novel brings this to life by focusing on just a few characters, and the effect on their lives. The intimacy with which we know these people, is contrasted with the mass hysteria of the crowds. We know these people; yet we also know and recognise the menace brimming just under the surface, the seething surges of hatred and panic, the mob mentality and the evil deeds people can be driven to by centuries of oppression and poverty, the hate and revenge engendered by a callous indifference to their suffering. This is an incredibly poignant scene, and we sense the brooding resentment and hatred; the heartless indifference and callous cruelty of the privileged aristocracy.
For those who are reluctant to believe a classic novel can truly terrify or revolt them, please think again. Such foreshadowing makes us shudder. We know from history what is to come. This grotesque and subhuman behaviour indicates both the starving poverty of the French peasants, and the metaphorical hunger for political freedoms.
A Tale of Two Cities | novel by Dickens | omyhukocow.tk
But there is no rhetoric here. She is imbued with a superhuman power. His novels also contain many symbols and double meanings. It is possible to read A Tale of Two Cities as a nailbiting adventure story, intensified by the knowledge that many of these were actual events, and yet metaphors and symbols abound. We have doubles in characters, parallels and contrasts. We have shadows and darkness, both literal and metaphorical.
The story start in gloom and mist, and the apprehension continues throughout. From the very start too, we have the theme of Resurrection.
By the 18th century the medical professions were in dire need of fresh corpses to use in medical training. These could only be obtained legally from excuted murderers. Therefore a ghoulish trade began. But Dickens could not resist his nature entirely, and did not keep a check on his impish and grotesque sense of humour. There are slapstick parts even in such a grim tale, though most of the humour is black indeed.
Dickens had a penchant for ghouls and ghosts, as well as positively revelling in blood-curdling scenes. It is a careful study; a detailed and close description. Dickens stored everything in his mind, waiting for the proper time to reanimate these grotesque images, and did so with vigour and brutality in his scenes about the executions. We see the horrors of the guillotine, the waves of hysteria and brutishness of the crowd. We see individuals blinded to reason by their passions, and swerving allegiance on a whim.
One sister spins the web of life, another measures it, and the last cuts it. Whether or not we remember the direct reference when reading, the pointers are there. A wealth of significance is waiting to seep through, or strike us like a shaft of light. And even in the midst of the unbearable horror, when we are dreading to turn the next page and are sinking in a mire of darkness and despair, we find a ridiculous death. The encounter to the death between view spoiler [ Miss Pross, with her unswerving ridiculous faith in her English superiority, and the terrifying, fearsome, Madame Defarge, hide spoiler ] is both unexpected and hilarious.
An earlier, less experienced, Dickens would have written the former as a one-dimensional comic character, yet both these two have much depth and ambiguity.
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A theme of imprisonment relates both to the mind and to incarcerated bodies, golden threads may be three strands of beautiful hair, or metaphorically of life, as may the mending of roads. There are the darkened regions both in prisons, and in the mind. Dickens always used real locations wherever possible. All these, and the Old Bailey, are familiar places to Londoners of today. Sometimes it is even possible to identify specific shops or inns.
At one point, two of the characters, Charles Darnay and Sydney Carton, walk down Ludgate hill to Fleet Street, up a covered way, into a tavern. The chapter headings alone are miniature masterpieces, and a world away from his earlier sentences taking up a full page. I have not told the story here, nor much about the characters, but both are easy enough to find. A Tale of Two Cities remains a novel I am ambivalent about. I do not like what the author is saying to me, and that colours my view of it.
Even at the start of this reread, I was tempted to view it as a lesser novel. Nevertheless, the more I consider it, the more highly I find myself obliged to rate it. If I put aside my love of Dickens, and my hopes of another, more enjoyable type of novel from my favourite author, I have to rate this as a masterpiece. If you have never actually read anything by Charles Dickens, please do not start with this one! Yes, you may be tempted. It is short and has an irresistible storyline. Yes, it gets 5 stars even from me. But if you read this first you will miss so much of his humour, and of his sheer joi-de-vivre.
He wanted this to be a history-driven novel, where the incidents and story would fuel the action, rather than his usual sort of book, where the plot was determined by the characters and the situations they found themselves in. Consequently it has a very un-Dickens like feel. Read it when you have a few others under your belt. That was his personal favourite. You may need to steel yourself for a grim read, and will find commanding, powerful descriptions to chill you to your core.
You will find a past full of destruction, but may see a future of hope and potential. The ending of the novel, known and loved by millions, is like the beginning, a favourite classic quotation. In both, Dickens is making use of a clever literary device: He repeats a word or phrase over many lines, and this makes it more rhythmic and more memorable to us.
We feel both that it encapsulates a rare truth, and also that it feels musical. Yet our memories betray us. Nobody ever says these beautiful and noble lines in A Tale of Two Cities. The author is dreaming, and taking a step back out of the book. He quite deliberately puts these words into an imagined fancy, rather than his character. Surely only Dickens could have pulled this off with such conviction—and such style. View all 48 comments. Jun 12, Laura rated it it was amazing Shelves: Years of teaching this novel to teenagers never dimmed my thrill in reading it — if anything, I grew to love it more every time I watched kids gasp aloud at the revelations!
Critics are divided on its place in the Dickens canon, but the ones who think it an inferior work are simply deranged. Oh, how Dickens loved melodrama, but in A Tale of Two Citie Years of teaching this novel to teenagers never dimmed my thrill in reading it — if anything, I grew to love it more every time I watched kids gasp aloud at the revelations! And like any good mystery, the payoff at the end is worth the time it takes to get there Dickens is a master of the type of narration that simultaneously moves forward and back in time.
In other words, strategically placed revelations from the past inform the present and shape the future. The brilliant timing both of his hints and of the actual revelations is a bonus field of study. Plus, A Tale of Two Cities is a profoundly moral story, with themes of vengeance versus forgiveness, sins of the fathers being visited on the children, resurrection and rebirth, and the possibility of redemption.
View all 10 comments. The novel tells the story of the French Doctor Manette, his year-long imprisonment in the Bastille in Paris and his release to life in London with his daughter Lucie, whom he had never met; Lucie's marriage and the collision between her beloved husband and the people who caused her father's imprisonment; and Monsieur a The novel tells the story of the French Doctor Manette, his year-long imprisonment in the Bastille in Paris and his release to life in London with his daughter Lucie, whom he had never met; Lucie's marriage and the collision between her beloved husband and the people who caused her father's imprisonment; and Monsieur and Madame Defarge, sellers of wine in a poor suburb of Paris.
The story is set against the conditions that led up to the French Revolution and the Reign of Terror. View all 5 comments. View all 21 comments. And even if Romola seemed to have more of a Victorian than a Florentine Renaissance tone, the story and the context were very nicely woven together. While with A Tale I felt I as reading two separate stories. The two meanings of the word historia separated: May be it was because Dickens was dealing with a convulsive period that was still too close to him and his contemporaries.
Its threats must have resonated with a greater echo after the revolutions that again swept through France as well as other European countries. When he wrote his novel only a decade had passed since that latest wave of violence and political turmoil. One can certainly feel Dickens alarm at the dangers that loom over humanity. His horror came first, and then he tried to horrify his readers. And yet, as my reading proceeded, I began to feel how these two axis or needles were pulling out something together. And I think it is Dickens excellent writing, with his uses of repetitions, or anaphora; his complex set of symbols—and I am beginning to become familiar with the Dickens iconography; his idiosyncratic mixture of humour and drama; his use of alliteration and onomatopoeia; his extraordinary development of images—and I think this novel has some of the best I have read by him; and his ability to sustain a positive core within a great deal of drab, that succeeds in making those two needles knit something coherent and consistent.
And indeed my favourite image was the Knitting, which Dickens develops throughout the novel, with all its mythological weight--that binds the threads of fate and volition, of patience and disquiet, of love and hatred--, which became for me also the knitting of the writer. The periodic and steady rhythm of Knit and Purl produced with threads of words, meshing in the melodrama and the emotions, the varying colours with their lights and shadows, increasing or decreasing the episodes with literary tricks such as adding a new thread or character or knitting two stiches in one go by solving a mystery.
So, as I came to the end I had to admit that , yes, the Tale of Two Tales has woven for me a magnificent novel. There has been somewhat of a 'Resurrection' in my reading too. View all 47 comments. In France, a boy is sentenced to have his hands removed and be burned alive, only because he did not kneel down in the rain before a parade of monks passing some fifty yards away. At the lavish residence of Monseigneur, we find "brazen ecclesiastics of the worst world worldly, with sensual eyes, loose tongues, and looser lives Military officers destitute of military knowledge So riled is Dickens at the brutality of English law that he depicts some of its punishments with sarcasm: He faults the law for not seeking reform: Dickens wants his readers to be careful that the same revolution that so damaged France will not happen in Britain, which at least at the beginning of the book is shown to be nearly as unjust as France; Ruth Glancy has argued that Dickens portrays France and England as nearly equivalent at the beginning of the novel, but that as the novel progresses, England comes to look better and better, climaxing in Miss Pross's pro-Britain speech at the end of the novel.
He repeatedly uses the metaphor of sowing and reaping; if the aristocracy continues to plant the seeds of a revolution through behaving unjustly, they can be certain of harvesting that revolution in time. The lower classes do not have any agency in this metaphor: In this sense it can be said that while Dickens sympathizes with the poor, he identifies with the rich: Sow the same seed of rapacious licence and oppression over again, and it will surely yield the same fruit according to its kind".
With the people starving and begging the Marquis for food, his uncharitable response is to let the people eat grass; the people are left with nothing but onions to eat and are forced to starve while the nobles are living lavishly upon the people's backs. Every time the nobles refer to the life of the peasants it is only to destroy or humiliate the poor. Some have argued that in A Tale of Two Cities Dickens reflects on his recently begun affair with eighteen-year-old actress Ellen Ternan , which was possibly platonic but certainly romantic. Lucie Manette has been noted as resembling Ternan physically.
In the play, Dickens played the part of a man who sacrifices his own life so that his rival may have the woman they both love; the love triangle in the play became the basis for the relationships between Charles Darnay, Lucie Manette, and Sydney Carton in Tale. Sydney Carton and Charles Darnay may also bear importantly on Dickens's personal life. The plot hinges on the near-perfect resemblance between Sydney Carton and Charles Darnay; the two look so alike that Carton twice saves Darnay through the inability of others to tell them apart.
Carton is Darnay made bad. Carton suggests as much:. There is nothing in you to like; you know that. What a change you have made in yourself! A good reason for talking to a man, that he shows you what you have fallen away from and what you might have been! Change places with him, and would you have been looked at by those blue eyes [belonging to Lucie Manette] as he was, and commiserated by that agitated face as he was?
Come on, and have it out in plain words! You hate the fellow. Darnay is worthy and respectable but dull at least to most modern readers , Carton disreputable but magnetic. One can only suspect whose psychological persona it is that Carton and Darnay together embody if they do , but it is often thought to be the psyche of Dickens himself. Dickens might have been quite aware that between them, Carton and Darnay shared his own initials, a frequent property of his characters. The novel takes place primarily in London and Paris in the latter half of the eighteenth century.
It spans a time period of roughly thirty-six years, with the chronologically first events taking place in December and the last in either late or early In a building at the back, attainable by a courtyard where a plane tree rustled its green leaves, church organs claimed to be made, and likewise gold to be beaten by some mysterious giant who had a golden arm starting out of the wall The "golden arm" an arm-and-hammer symbol , an ancient sign of the gold-beater's craft now resides at the Charles Dickens Museum but you could have seen a modern replica sticking out of the wall near the Pillars of Hercules pub at the western end of Manette Street formerly Rose Street  , until this building was demolished in Mario Cuomo of New York delivered a scathing criticism of then- President Ronald Reagan 's comparison of the United States to a "shining city on a hill " with an allusion to Dickens' novel, saying: President, you ought to know that this nation is more a 'Tale of Two Cities' than it is just a 'Shining City on a Hill'.
The character of Bane is in part inspired by Dickens' Madame Defarge: There are other hints to Dickens' novel, such as Talia al Ghul being obsessed with revenge and having a close relationship to the hero, Bane's catchphrase "the fire rises" as an ode to one of the book's chapters, among others. Season 6, episode 10 of the T. In the Dicken's novel, London is seen to be in a time of relative calm while Paris is undergoing a radical shift like LA is in the late s. From Wikipedia, the free encyclopedia.
For other uses, see A Tale of Two Cities disambiguation. For the legal judgement, see Golden thread law. It took four men, all four a-blaze with gorgeous decoration, and the Chief of them unable to exist with fewer than two gold watches in his pocket, emulative of the noble and chaste fashion set by Monseigneur, to conduct the happy chocolate to Monseigneur's lips. It was impossible for Monseigneur to dispense with one of these attendants on the chocolate and hold his high place under the admiring Heavens. Deep would have been the blot upon his escutcheon if his chocolate had been ignobly waited on by only three men; he must have died of two.
And who among the company at Monseigneur's reception in that seventeen hundred and eightieth year of our Lord, could possibly doubt, that a system rooted in a frizzled hangman, powdered, gold-laced, pumped, and white-silk stockinged, would see the very stars out! This section needs expansion with: You can help by adding to it.
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This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. August Learn how and when to remove this template message. Retrieved 5 January This statement [ citation needed ] about the roof is truer than the Marquis knows, and another example of foreshadowing: See Dickens , p. Manette's letter is read, Darnay says that "It was the always-vain endeavour to discharge my poor mother's trust, that first brought my fatal presence near you.
Darnay seems to be referring to the time when his mother brought him, still a child, to her meeting with Dr. Manette in Book 3, Chapter But some readers also feel that Darnay is explaining why he changed his name and travelled to England in the first place: Manette without fully revealing his identity. See note to the Penguin Classics edition: Dickens , p. He is not so called in this article because the title " Monseigneur " applies to whoever among a group is of the highest status; thus, this title sometimes applies to the Marquis and other times does not.
A tale of Two Cities. Retrieved 29 May This figure of million is — to state the obvious — pure fiction. Its ultimate source is unknown: But the presence of this canard on Wikipedia had, and continues to have, a startling influence. Part of the genius of Dickens is that he does use types and caricatures, people whom we recognize the instant they re-enter, and yet achieves effects that are not mechanical and a vision of humanity that is not shallow. Those who dislike Dickens have an excellent case. He ought to be bad. A Routledge Study Guide and Sourcebook.
A Tale of Two Cities Revised ed. A Course on English Literature". New Directions Publishing — via Google Books. A Tale of Two Cities. Retrieved 5 July These acts were attributed to him, it seems, by his mother's slighted lover. Unwin Hyman, , p. Cambridge University Press, Dickens is quoting Alexander Pope 's Essay on Man of Retrieved 3 August New Holland Publishers, And a podcast too!