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The book explores the plot forces the way vector theory does.

Vector Theory and the Plot Structures of Literature and Drama

Each force has a magnitude, a direction, and a This book explores the forces that contribute to the development of the plot in stories. Each force has a magnitude, a direction, and a sense. Every encounter of forces replaces each force with the resultant force of the encounter. This form of analysis allows us to understand the flow of plots with a clarity that cannot be achieved otherwise.

Vector Theory and the Plot Structures of Literature and Drama

Using vector theory allows for literary analysis much more complex that simply looking at conflict. Natasha rated it really liked it Apr 09, Fran rated it it was ok Apr 06, Brandi Larsen added it Jun 28, Jeff marked it as to-read Dec 27, Logan marked it as to-read Dec 30, Esther marked it as to-read Jan 02, Ethan Bartholomae marked it as to-read Jan 08, Colee B marked it as to-read Jan 15, Anna Kronos marked it as to-read Jan 24, Heather marked it as to-read Jan 26, Melissa T marked it as to-read Jan 27, Laura marked it as to-read Jan 27, Erin marked it as to-read Feb 01, Mary marked it as to-read Feb 16, SaJe Goodson marked it as to-read Feb 23, Tara marked it as to-read Feb 24, In physics, vectors represent the forces that push and pull--that move, propel, objects.

Vectors are used analogously to describe how characters, objects, and locations which are the "bodies" of literature and drama reflect the propelling of literary and dramatic "forces. While vector theory is able to answer certain questions more thoroughly than they have been answered before, vector theory supports and supplements traditional forms of criticism. One of the most important functions vector analysis serves for the analysis of literature and drama will be to lay to rest the notion that plot is conflict.

Bestselling Series

Considering conflict to be the essence of plot has tended to flood American culture with stories of violence wanting in dimension, and to encourage fiction authors, dramatic artists, readers, and audiences to find conflict in stories that are not about conflict, and so miss the point of the tale. Critics, Compilers, and Commentators James E.

Language Myths Laurie Bauer. Letters of Note Shaun Usher. The Story Factor Annette Simmons.

Story Proof Kendall Haven. Intercultural Communication Ron Scollon. On Literary Worlds Eric Hayot. Writer's Diet Helen Sword.

Vector Theory and the Plot Structures of Literature and Drama by Cynthia Joyce Clay

Signs and Machines Maurizio Lazzarato. Ten Lessons in Theory Calvin Thomas.

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