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Is it a mere prop to create "realism" or does it reflect the fundamentals of the very making of literature? Imitations produce pain or pleasure not because they are mistaken for realities, but because they bring realities to mind. Whether hats, boots, uniforms, or trimmings, in Machado the elements of clothing go beyond mere accessory in order to take on a plethora of meanings that usually draw them to the very center of the narrative construction.

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That is what this essay will contend. It is through this prism that the author articulates the accessory as being necessary. Thus, many aspects tied to clothing or to fashion are represented: This increased emphasis is the irony, now given back to the reader, of how Conrado also possesses his exterior souls, although without knowing or recognizing it:.

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Look, dear, I have a philosophical reason for not doing what you ask of me. It may be that not even the hat is the complement of man, but man of the hat… 1. Thus, for Conrado, the hat fulfills a personal, private necessity; with the hat Conrado seeks to make Mariana understand that this need is not about the mere use of just any complement, but rather the establishment of a mutual relationship.

In fact, Mariana is moved by her father:. In this, he diametrically opposes Conrado, for whom using a hat is a personal and private choice. How can a lawyer go out dressed in that manner? Conrado, therefore, always acts in response to the private and individual connection that human beings also develop with articles of clothing and, as the story concludes, they often end up overcoming mere appearance.

In the past, he states that,. For a few days, the two natures balanced themselves, but it did not take long for the primitive to cede to the other nature; a miniscule part of humanity stayed with me.

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The uniform, then, eliminates the man; it destroys the human. And in that process of deindividualization, or of standardization, all that remains is the casing, the empty shell of a social function. Thus, we are observing that in these two stories a dichotomy is established between the public and private relating to apparel and to its complements. Moreover, the frontier between the public and private assumes a richness of detail always so well expressed in Machadian works with regard to the dialogue that his characters establish with their attire.

That possibility takes on interesting forms that are well worth examining. She wore a white dressing gown, tied loosely at the waist.

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As she was slender, there was something of a romantic vision about her, not far off from my book of adventures. I closed the volume; she sat down in the chair in front of me. Nogueira, as the reader knows, waits until the set time to meet his friend; together they will go to the Midnight Mass. Still slender, she had I know not what kind of sway in her walk, like one who struggles to carry her own body weight. Her unbuttoned sleeves fell open naturally, and I saw half of her arms, very pale, and less thin than might be supposed. She went around the table and came to sit beside me, on the sofa.

I turned and caught a glimpse of the tips of her slippers; but it was for only as long as it took for her to sit, the dressing gown was long and soon covered them.

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I remember that they were black. It is important to highlight the element of intimacy implied by the glimpse of the slippers, since, beginning with the use of the crinoline, which was in the public sphere, feminine dress was prone to sway. That new element created a newfound erogenous zone: In the case of Capitu and Bentinho, the push into the intimate sphere is given in the hairdressing scene.

On the table, a sad piece of dirty ribbon. The cheap mirror, as well as the soiled ribbon, offer very significant insights. The thick strands of hair, arranged in two braids, with the ends tied together, in the fashion of the day, fell down her back [ It would be unnecessary to remember that for Bentinho, none of that matters. Cool new Original Personality antique retro chapeu casquette baseball cap adjustable hats pyrography 3D print tattoo Hip-hop cap.

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Histórias sem Data (Portuguese)

O Pedido de Ookubo Toshimichi A Caminho de Quioto II Os Sentimentos de Megumi e de Kaoru O Jogo da Apanhada Retrato dum Ambicioso Regresso ao Caminho Para Quioto Um Encontro na Floresta 1 Um Encontro na Floresta 2 Chegada a Quioto A Procura da Nova Espada. O Chou dos Dez Espadas O Sentimento de Shakkuu A Metade do Que Sinto Aoshi e Okina Aoshi Contra Okina A Crista, a Vassoura e Um Homem Chamado Usui.

Outubro de [ 40 ] ISBN Mesmo que Eu Sacrifique a Minha Vida Entre a Vida e a Morte O Outro Objetivo Como se Estivesse Voando Novembro de [ 42 ] ISBN Uma Conversa Entre Punhos. Dezembro de [ 44 ] ISBN O Lobo Crava Suas Presas O Ataque Furioso de Aoshi Por um Fio de Cabelo Amakakeru Ryu no Hirameki - Parte 1. Janeiro de [ 46 ] ISBN A Batalha de Aoi-ya O Menino que Luta A Menina que Luta