Haynes fills them in for him with imaginative blasts of psychedelic funk, as the hepcats of West 42nd St, a whole new kingdom for this Middle American kid, bustle on by. Ben makes a friend, a lonely black lad called Jamie Jaden Michael, heartbreakingly open whose dad works there.
Every hour he spends nestled in the bowels of the building, in the secret lair Jamie has co-opted, brings Ben closer to the mystery of his family tree. Rose, seeing some other girls her age, scribbles a note for herself — "Where Do I Belong", with no question mark — which cuts to the core of what clearly enticed Haynes to these settings and characters.
T he urban loneliness of Carol is back: To be grown-ups in this picture is to have your dialogue muted, and power thereby undermined. Everyone who communicates anything important writes it down. This is a special variety of loneliness that Haynes, a poet of said subject, has once again found out. And while expectations of some Carol-topping peak seem frankly unreasonable, he has cupped these trinkets into his wheelhouse with all the care in the world.
I really think that's just because it's difficult to tell a full story in illustrations alone and even though when the two points of view came together it all started making so much sense, it still felt like there was so much more to be told. But this story was phenomenal and I highly recommend it! Jun 25, Betsy rated it it was amazing.
A publisher believes that a book is going to be big so they crank up the old hype machine and do everything in their power to draw attention to it long before its publication date. Here you had a book that managed to get hundreds of librarians across the nation of America to redefine in their own Hype. Cabret was remarkable because it combined words and pictures in a manner most closely resembling a film. Indeed the whole plot of the book revolved around filmmaking so what would be the point of writing another book in the same vein? While the art was spectacular and the plotting just fine, the writing was merely a-okay.
By no means a detriment to the book, mind you. And maybe that's partly why Wonderstruck works as well as it does. The art is just as beautiful as Cabret 's, the plotting superior, and the writing not just good, but fantastic. Right in the heart. Gunflint Lake, Minnesota, June Hoboken, New Jersey, October Newly orphaned when his mother dies, Ben comes to believe that he has a father, hitherto unknown, living in New York City. When an accident involving a telephone and a bolt of lightning renders him deaf, he sets out for the big city in search of clues to who his father really is.
A seeming prisoner in her own home, Rose too sets out for New York City to see the actress Lillian Mayhew for reasons of her own. The two children both end up in The American Museum of Natural History and both discover something there that will help to give them what they need to solve their own problems. And in that discovery, they will find one another. What strikes me as significant, though, is that the style is chosen for a reason. In Hugo Cabret the focus was on the old original silent films. Wonderstruck has a different motivation, if a seemingly similar set-up.
Here the illustrated sequences are for a story separate from the text though they eventually blend with that story.
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There is a brief glimpse of a silent film here, but the real reason for the silent illustrated sections is because much of the story deals with people who are deaf or are becoming deaf. The text, as I say, is incredibly strong here but Selznick knows how to use art to get to your core. In fact, there are always clues in Selznick's images that tell you a great deal about what's really going on. Later the character of Walter is seen in his apartment, a childhood picture of him and Rose sitting prominently on his shelf. Careful readings are rewarded with significant details the sneaky Where's Waldo -esque capers of similarly striped shirted Jamie is worth the price of admission alone.
Selznick takes a risk telling two tales in two different styles, of course. The fear is that when one is tense and fast-paced and the other leisurely that the momentum of one will slow down thanks to the other. Yet the man clearly knows what he is doing. Exciting sequences are paired with exciting sequences. Chase with chase, escape with escape. Selznick knows how to engage you simultaneously in two tales at once so that flipping between them two is never a chore. Nor almost more impressively do you ever forget what was happening in one story while another was going on.
Frankweiler , and more. So while his greatest strength is probably his art, a close second would have to be his ability to link seemingly disparate facts into a seamless whole. Connections are drawn so that you come to think of them naturally coming together. Where in The Arrival everything is as strange to the reader as it is to the immigrant hero, here we must learn to rely on our eyes to suss out a story told through visual elements. It draws an emotional response from the reader.
You care about both Rose and Ben. Books that can elicit real emotions from the readers are the ones that remain in their memories long after the books are gone. Selznick could easily have duplicated the success of Cabret and trotted out something similar and paltry and it would still have been hyped within an inch of its life by his publisher. Instead, he took a chance and tried something new and different. Wonderstruck lives up to its name. For ages 9 and up. Feb 02, Connor rated it really liked it Shelves: I'm not sure why it took me so long to pick this up since I enjoyed The Invention of Hugo Cabret so much.
I think I still liked that one better, but I love how these two stories set 50 years apart develop together and weave together. Brian Selznick is truly an awesome author and storyteller. May 01, Teresa rated it really liked it. It most certainly was. Because of this coincidence, I checked out the book for 4.
Wonderstruck review: a tender study of three children yearning to find their place
Because of this coincidence, I checked out the book for myself. The book holds two compelling, though at first seemingly unrelated, stories of two different time periods: The illustrations are marvelous, with a real sense of place and time the late 20s. The two stories are told intermittently, each stopped at synchronistic moments, until they come together seamlessly—and surprisingly, thanks to a clever deflection by the author.
But maybe I feel that way only because any story of a runaway child living in a museum will inevitably pale in comparison to one of my absolute favorite childhood books, From the Mixed-Up Files of Mrs. Konigsburg , I see that there were at least two more clues to the homage. Fakat arada bir fark var. Nov 22, Wendy rated it liked it Shelves: I definitely missed the boat somehow on this book. Rather than feeling smarter than all my friends who rated this four or five stars they all did --which is what bad or mediocre reviews of well-loved books sometimes sound like--I feel dumber, because I sense that there must be something I'm missing.
I read the first third of the book in one gulp and remember being fascinated. Several weeks went by before I was able to get back to it. That might have had something to do with it, or maybe I was ju I definitely missed the boat somehow on this book. That might have had something to do with it, or maybe I was just in the right mood to read it originally, and the wrong mood later.
I did go back and after finishing and read the first third again, to recapture my enjoyment of it--maybe the first third was that much better? The art, while excellently done, is not in a style that I find particularly engaging, and I thought having them go all the way across two pages made them difficult to look at--I couldn't see the gutters well.
I hope these books are well-bound or they're going to be destroyed in a few years from having the spine strained to show the pictures. I honestly didn't think it was anything to get excited about.
Wonderstruck review: a tender study of three children yearning to find their place
It isn't really bad, but I didn't have much sense of the story moving forward, and with the exception of Ben, the characters didn't feel well-fleshed-out or natural to me, especially Ben's friend Jamie. It isn't remotely suggested that anyone would have tried to take him away from his mother or anything; how could she be so selfish?
It didn't jibe for me with the way her character is described.
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And, it occurs to me: So this feels like one of the things I dislike most in books: I guess it isn't just a personal squick thing. It's an enjoyable book, and certain kids many kids will love poring over the illustrations for the little hidden details and clues. I might have myself, as a child. But I don't think the text belongs on the Newbery table. Sep 10, Whitney Atkinson rated it really liked it Shelves: I'm such a huge fan of Brian Selznick because he's a master at constructing stories. This was no exception. I love that this book focuses on two separate stories and timelines, but they find relevancy to the other in the end.
It was absolutely fascinating and I read pages of this in one sitting because it just flies by. I found the focus on deaf characters especially heightened the importance of telling one of these sto I'm such a huge fan of Brian Selznick because he's a master at constructing stories. I found the focus on deaf characters especially heightened the importance of telling one of these stories without words.
It just made everything that much more meaningful. The reason I didn't give it 5 stars is because I didn't feel as close with this one as I've felt about his books in the past. It did cause me to tear up in a few places, and for the most part I liked Ben and Rose as main characters, but nothing about them blew me away as opposed to The Marvels, which is a masterpiece. I highly recommend Selznick's books! Grab them from the library if they're too expensive for you, but it's definitely worth it.
Apr 21, Mayra Sigwalt rated it really liked it Shelves: Feb 18, Kaitlin rated it it was amazing Shelves: This book is definitely stunning. I adored it right from page one and I've had it on my wishlist for years before I finally got it given to me at Christmas time. I am so, so happy I made time to finally read and enjoy it this week becuase it is truly something magical although it's technically got no 'real' magic. This book is unique for the way it is told and the story it tells which really resonated with me and touched me in many ways.
First off, let's talk about the format of this book. This This book is definitely stunning. This is no ordinary novel becuase part of the storyline is told entirely through images and that takes not only skill and determination but also talent. Brian Selznick clearly has that talent though as he's managed to capture and recreate these characters in a variety of angles, places, emotions and scenes.
The imagery is all pencil drawn with some truly beautiful cropped shots of certain moments which are pivotal to the story.
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I have a real soft spot for any pencil-drawn imagery anyway, but this book felt so incredibly cinematic and beautiful to me whilst I read it that it just flowed into my mind even without the words there for guidance. This is the story of Ben. A young boy who is dealing with the loss of his mother. Not only this, but he's half-deaf and an adventurous child. Ben doesn't know quite what's going to happen to him after his mother passing away, but he does know that there's some things she never was able to tell him and he starts to find some clues along the way which lead him to find out some wonderful things about his personality, himself and his future.
I instantly connected with Ben as I too am half-deaf. I don't know sign language myself, and some of the moments Ben encountered in this book really did move me and affect me as I knew if I were in his situation, that would be me. He's a loveable character right from the start with a single desire, to find out more about his past. He probably does a few things that he shouldn't do too, but he's sensible and clever for his age, which makes him a great character to follow.
I honestly think that the raw emotions within this affected me most when it was a relationship forming. I loved seeing Ben meeting people and trying to communicate with them becuase it was so fascinating and eye-opening to learn more about the Deaf culture. I have always had problems with my own hearing, and this was a very personal, moving story for me to read becuase of that, but I don't think it would be less so had I not becuase the visuals alone have a sense of wonder to them.
This truly captivated me from page.
I enjoyed the pacing and the momentum of the story, interspersed with the charming imagery, and I will certainly be buying all of Selznick's other works in this format in future! Overall a moving, fun and eye-opening read for all ages. Sep 22, Jeanette "Astute Crabbist" rated it it was amazing Shelves: I opened this book with an almost giddy feeling of anticipation, knowing I'd love it but not knowing quite what to expect.
It's more fun if you don't know too much, so I'll try to share my excitement without revealing plot details. Wonderstruck weaves together two stories. One is told with words, the other with masterful drawings. Ben Wilson and Rose Kincaid are separated by 50 years, but they have some things in common.
Both are longing for a missing parent. Both have lost their hearing. If Haynes direction is occasionally muted and chilly, well that is the price one pays for all technical aspects at their peak. We feel for the characters by default, although some rawer emotion would have benefited the production.
But Wonderstruck's crystal clear ending brings everything to a nicely poignant head, and the film will linger in the imaginations of many kids and their parents. More Top Movies Trailers. DC's Legends of Tomorrow: Black Panther Dominates Honorees. Trending on RT Avengers: Post Share on Facebook.
View All Videos 2. Movie Info Based on Brian Selznick's critically acclaimed novel Ben and Rose are children from two different eras who secretly wish their lives were different. Ben longs for the father he has never known, while Rose dreams of a mysterious actress whose life she chronicles in a scrapbook. When Ben discovers a puzzling clue in his home and Rose reads an enticing headline in the newspaper, both children set out on quests to find what they are missing that unfold with mesmerizing symmetry.
Amazon Studios and Roadside Attractions. Oakes Fegley as Ben. Tom Noonan as Older Walter.
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Millicent Simmonds as Rose. Jaden Michael as Jamie. Cory Michael Smith as Walter Age Amy Hargreaves as Aunt Jenny. Morgan Turner as Janet. Sawyer Nunes as Robby. James Urbaniak as Rose's Father. Damian Young as Otto, Museum Guard.