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Agora , , Essais sur l'individualisme contemporain. Performance und performance art. Kunstforum , 96 [august-oktober], The films of Merchant Ivory. Die Struktur literarischer Texte. Milestones in mass communication research: White Plains New York: The big book of flip charts: A comprehensive guide for presenters, trainers, and team facilitators. Fakkelbok, med essays om litteratur og diktere, utvalgt og innledet av H. En let indgang til dansk kulturarv. Om de norske byene? Digital formidling af kulturarv: Fra samling til sampling.

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Death of a Salesman. An Analysis of L. Confidential as a post-noir film. Utz; amerikansk originaltittel The politics of cruelty Presses Universitaires de Paris ouest. Dichter in der Gesellschaft: The Poet of the marvelous: Hvorfor leser vi litteratur?: Oversatt fra fransk til tysk av B. Oversatt av Beate Vibe. A concise history of pop-up and movable books. Welcome to psyzoo comics. Fretting in Frankfurt over the future of the book. The ethnography of media consumption. Atlas of the European novel: Signs taken for wonders: On the sociology of literary forms. Dansk kort-kortprosa i erne.

Norsk Litteraturvitenskapelig Tidsskrift , 1, Masters of modern science fiction. A primer of potential literature. Toward science in aesthetics: The Liberal Arts Press. Die Poetik der Philosophie: Das Prinzip des Perspektivismus bei Nietzsche. Kulturtechniken der vernetzten Welt. On ne badine pas avec l?

Forord og kommentarer av M. Varieties of deception in print and manuscrip t. Litteraturhistorie i en kanontid: East of the Sun: Women, Reading and Fascination. Kvinner, lesning og fascinasjon. Avhandling for graden philosophiae doctor. Longman York Press York Notes. La grandeur sans convictions: Essai sur le dandysme. Die Wirklichkeit des Dokumentarfilms: Elevens litteraturhistorie anno Litteraturhistoriografien i tre norskverk for ungdomssteget. Through the eyes of many children. Handbok i Nordiskt parlamentstryck. Le paradoxe de l? Avatars of the word: From papyrus to cyberspace.

Lanham Maryland , New York, Toronto etc.: University Press of America Inc. The technologizing of the word. A concise history of opera. Entwicklung einer neuen Literaturform von bis heute. Oversatt fra italiensk til fransk av G. Oversatt fra engelsk av Kathrin Eiermann; engelsk originaltittel 40 true crimes and how forensic science helped solve them. Herbert Marcuse et la nouvelle gauche. Popularizing science and technology in the European peripheri, Erfahrung und Wirklichkeit als Zeichenprozess: Peirces Entwurf einer spekulativen Grammatik des Seins. How we understand art: A cognitive developmental account of aesthetic experience.

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Mediatisierung als Grundlage unserer kulturellen Entwicklung. Proust en toutes lettres. Yeats and the poetry of death: Elegy, self-elegy, and the sublime. The grammar of language and experience. Transmediale Genrekonzepte in Videospielen. Frauen machen Geschichte n. Letting go of the words: Writing web content that works.

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The narrow bridge of art. Modern Age , Fall , The medieval girdle book project. The international journal of the book , volume 3, number 4. Race, gender and performance. Der Ursprung von Literatur: Medien, Rollen, Kommunikationssituationen zwischen und Mediert , 2, [s. Sigrid Undsets roman Jenny i lys av nyere feministisk teori. Inquiries into the semiotic heritage and its relevance for the analysis of the visual world. Pierre Adamoli et ses collections: York notes on Virgil: Zur Semiotik des literarischen Verstehens. Reflexivity in film and literature: A guide to the theroy and practice of film adaptation.

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Die falsche Sonja Kriminalfilm Der Kriminalfilm ist ein Kriminalfilm. German words that begin with k. German words that begin with kr.

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German words that begin with kri. Each volume contains a detailed index and bibliography. The problems caused by the lack of a comprehensive index are mitigated somewhat by the chronological grouping and regional subgrouping in each volume. Toeplitz is essential for every library. The anniversary year of cinema also appears to be the year in which monuments to historical film genres are erected, or dedicated anew. Joe Hembus published the only German-language encyclopedia of Westerns in , a monument in its own time.

An expanded paperback version appeared in Upon the author's death in , it seemed that no newer edition would be possible. As we now see, this pessimism was premature. A concern for accuracy and a breezy, readable style were characteristics of the original editions, but now also of the newest compilation completed by Joe's son, Benjamin. Included are films that have been shown in Germany since - more than in the edition of his father.

Films are rated with zero through four stars, applied with varying consistency. The filmographic information also varies in its depth. References to historical figures, events, and subgenres have been left out of this newest edition, but Joe Hembus' essay on the genre "Western" has been retained, expanded by Benjamin Hembus to discuss the apparent "decline" of the genre since Sergio Leone's foreword is also retained in the newest edition.

The work is divided into four parts: Of these, the section on television appears to be a recent afterthought. Films are described in widely different degrees of detail. The introductory filmographic information is followed by a plot synopsis, followed by discussion and references to secondary literature. To pass judgment on the basic text films with its first supplement 22 films may be premature, but the work as it stands now is of equivocal quality, at times comprehensive but then arbitrary in its selection of films, wavering between obsessive detail and superficiality in the descriptive passages.

It would be desirable if the publisher and editor would make the effort now to turn this work into a truly encyclopedic resource. The film encyclopedist Hahn describes pornographic and soft-core films aimed at a heterosexual audience. Cinematographic information of varying completeness is followed by a short description of content, and an even shorter critique. The black-and-white pictures illustrating the distinguishing features of these films are of poor quality. A directors index lists their films, and an index of original titles refers to the German titles, under which the entries are found.

The bibliography is not worth mentioning. This work is not an encyclopedia of religious films, but a listing of 88 "milestones from years of film history. Inclusion was determined by a poll of the members of the Catholic film commissions in Germany and Switzerland. The book's purpose is not clear, and may indeed serve only to legitimize the work of the commissions, or to emphasize the importance of religious themes as a motif.

Films of the last four decades make up the largest part of the book, while historical films are only sparsely represented. Arranged alphabetically by German title, the entries include cinematographic information and bibliographical references. Indexes of original and German titles and directors, an additional list of references and contact addresses complete the book, which, due to the brevity of its entries, makes it more of a guide than an in-depth study. This work describes films shown in German theaters or on German television since , based on the short descriptions in Film-Dienst , the Lexikon des internationalen Films ed.

The entries are arranged according to the films' German titles. The short critiques are followed by cinematographic information and a reference to longer reviews, if published, in Film-Dienst , as well as key words and genre descriptions.