With the exception of one track featured on his debut album the dark "St.
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James Hospital" based on "Cowboy's Lament" and two numbers dating back to his early s Folkways recordings with Ashley the Christian spiritual "Hick's Farewell," performed a cappella, and "Walking Boss," performed on banjo , the remainder of the material included in this set was not issued on Watson's recordings from this vital era.
The three numbers where they perform together will astound and frustrate any aspiring acoustic guitar players who dare to listen.
In addition to the aforementioned material, other highlights include outstanding live performances of Jimmy Roger's ballad "Hobo Bill's Last Ride" and an engaging sequence focused on Andrew Jenkins' ballad, "The Death Of Floyd Collins. However, it is the last four songs, three of which include Al Ross dueling it up with Watson, that will dazzle and confound all listeners.
Ragtime Annie Lee - 2/7/03 by Railroad Earth | Free Listening on SoundCloud
From a high velocity read of the Texas flavored "Deep Elum Blues," directly followed by Watson and Ross' smoking hot interplay on "Margie," these are prime examples of Watson's technical virtuosity. The same can be said for the concluding numbers, in which Watson performs an unbelievably fast version of the Delmare Brother's classic "Brown's Ferry Blues" alone and concludes the night by inviting Ross to the stage again for one final blowout on the vintage fiddle tune, "Ragtime Annie. Superb musicianship, first-rate singing that is soulful without ever becoming syrupy, and songs that relay the soul of American roots music, make this recording an outstanding example of Americana during the peak era of the folk and blues revivals.
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Watson, now in his late 80s, continues to perform and play music to this day and remains among the greatest of American musicians, an inspiration to many. I gauge myself to be somewhere between intermediate and advanced, but trying to unload some old bad picking habits and methods and become more disciplined.
That is something I have seen from you over the years and has inspired me, although I may never be able to pick as slow as you do!. That always amazes me, and is one of the things that sets you apart as a teacher. In addition, of course, to your mastery of music and so many instruments. I wanted to thank you for dedication to helping and teaching us.
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Billy in the low Ground Key of C. The remaining items on this reel were dubbed from records made in Texas at the same time as the above. Ellis Lindsay, Greenville, Texas, Ellis Lindsay said that he composed this fiddle piece. Click tabs to swap between content that is broken into logical sections.
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