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Ivan Zulueta

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English Choose a language for shopping. Amazon Music Stream millions of songs. Amazon Drive Cloud storage from Amazon. However, he did not get his degree and the School was closed by the Francoist State. Zulueta would not be allowed to sign his works until Franco died because of this. Ivan Zulueta directed the show. The production means and budget were low and therefore among the methodologies employed for this production was to have friends take on the different positions and creative capacities required for its realization. The production was carried the same way as in the TV show Ultimo Grito.

The film was a musical which made fun of Eurovision contest with a Richard Lester style. It was first released in Cannes Film Festival.

Reprint: Arrebato / Rapture (Iván Zulueta, 1980)

Jose Luis Borau provided Zulueta with unused film from his newly created production company. Zulueta used it for experimenting mainly with tempo and editing.

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  4. Ivan Zulueta - Wikipedia.

He also used other underground formats like 16mm or 8mm. Most of the time, the experimentation was related to re-filming preexisting material in other formats and rhythms. This visual style was very popular in those years, used by other directors and achieving a peak with the eminent Koyaanisqatsi At same time, Zulueta started a prolific career as poster designer. Zulueta also worked as assistant director for other directors such as Jaime Chavarri or Antonio Drove.

Translation of «arrebato» into 25 languages

Ivan Zulueta proposed to hit other non-underground segments of the public by directing a short movie and releasing it. Leo Es Pardo Leo is Dark ; a short movie recorded with a 16mm camera.

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It was released in the Berlin Film Festival. Then, Zulueta and his collaborators thought that they could try to put all this experimentation onto a full-length film released as a conventional movie….

  • Lesson Plans Arcadia;
  • Water Lily.
  • A Spanish architect interested in movies decided to help Zulueta financially. The planning was a day filming.

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    However, it was shot in real interiors owned by Zulueta and other friends, like Jaime Chavarri; and most of collaborators used drugs like heroin , that drove the planning and the budget to be highly increased. The relationship between the director and the producer was poorly damaged. Moreover, the film had a lot of problems to be commercially released due to its experimental and underground style; even though the Spanish transition to democracy had already occurred.