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The Pocket Lawyer for Filmmakers: A Legal Toolkit for Independent Producers
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Most helpful customer reviews on Amazon. If you are already doing some form of video production, relax! This is not about how to set up your shot. It's all about what you're planning, and how you intend to get everything done BEFORE you even take your camera out of the bag. There is an edge that's tabbed in black ink on the side, like the old dictionaries; the idea is that you will be able to look at the back cover, and find your section, then open up in the right part of the book.
Something I thought was rather interesting about this title can be found on page In the grey box, he reminds the reader that while it's typical to have post production assigned a share of the take for a film, that you need to watch out for those contracts that try to sneak in language that assigns the copyright as well It's also not a boilerplate contract book.
The Pocket Lawyer for Filmmakers : A Legal Toolkit for Independent Producers
This actually breaks down what the elements of a production company is; he goes into how to write language that actually protects the "idea", and the film, so that along the way it can't be wrested from you at distribution. Another example is on page 92, he goes into the bullet points of Ownership Rights, and asks who is responsible for what part, and in turn-what part does that person own of the finished product you produce. There is also an explanation of why it's so critically important on the larger projects to invest your time, and create a production company to lock it all down.
It's in plain English, and for those with legal exposure or training, you'll be happy to know that where needed, he cites why explicitly, and references the chapter and verse. So rather than a cookie cutter one size fits all approach, you actually learn what you need to choose what's important to your project, and set things up from the start to keep things aligned with your vision, and establish relationships that are all focused on the bringing of the idea to the screen-without making you feel like you've just sold yourself down the river.
I've learned a lot about contracting and entertainment law without feeling bogged down by legalese.
The Pocket Lawyer for Filmmakers: A Legal Toolkit for Independent Producers. Find quick answers to these and hundreds of other questions in The Pocket Lawyer for Film and Video, the next best thing to having an entertainment attorney at your beck and call. Written by a TV-producer-turned-entertainment-lawyer, this no-nonsense reference provides fast answers in plain English: