Guide Desert Rose (Truly Yours Digital Editions Book 8)

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Once you've got to grips with the basics, Miotke walks you through taking 20 common categories of photos, including family and pet portraits, flowers, sunsets, candids, close-ups and monochrome shots. Suitable for children and adults, this book sets out to make learning photography fun and rewarding, and ultimately whether it succeeds will be down to you.

When it comes to learning photography, reading from books and watching videos are two approaches that each have strengths and weaknesses. So why not combine the two for the best of both worlds? That's exactly what this package from Tony Northrup, the founder of photo. As well as this page book, you get over three hours of supplementary online training videos, and free help from the author and other readers via an online readers group.

This is very much a practical, hands-on course that requires you to grab your camera and get shooting right away. There are exercises at the end of every chapter to give you the real world experience you need, and the emphasis is very much on learning by doing.

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This book takes an approach to improving your photography that makes perfect sense to us. In exactly that spirit, this book offers more than photographic tricks of the trade, to help you get looking, sharper, more colourful, more professional-looking photos, explained in the same way you would in a normal conversation. So you learn how using a different setting, tool or trick in a particular situation can truly transform the quality of your work, and make it look more like the work of a pro than an amateur.

Kelby really does write like you're standing next to you, and while that might sometimes be off-putting depending on whether you 'get' his sense of humour , there's no denying that these tricks really work, whether you're a beginner or an experienced photographer. In the modern social media age, having a decent looking head-and-shoulders portrait is something that concerns everyone, not just actors and models.

So if you want to know how to take professional looking headshots, this book by professional portraitist Peter Hurley is just what you need. Hurley also shares his trade secrets for getting genuine smiles and authentic expressions rather than people's standard 'photo face' that always makes a headshot look dull and lifeless. Note that this is not so much a step-by-step training manual or reference guide as an insight into how one man approaches his art.

But when it's someone at the top of his game like this, there's a huge amount any photographer can learn here. First published in , this book is considered a classic of photography instruction. It was fully updated in to incorporate digital photography. But actually, it's not so much a technical guide as a deep dive into the philosophical and creative side to photography. The author's main aim is to dissuade photographers from the approach of taking hundreds of shots in the hope of getting one good image, and instead understand the processes by which you can shoot fewer, but better pictures overall.

In other words, if you're at the stage of your photography journey where you understand all the tools and techniques, but you're still taking unimpressive pictures, this is the book for you. There's something magical about the idea of a photo studio, a place where you can ensure the right lighting, space and ambience to capture the perfect shot. But in the real world, photography takes place in much more challenging locations, and that's where this book comes in.

Whether you're shooting a corporate portrait of a CEO, a test shoot with a model, or a promo shoot with a band, professional portraitist Nick Fancher explains how to get great looking shots in less than ideal scenarios. He takes you behind the scenes of his own photo shoots and explains how getting creative, from changing the lighting to post-processing, allows you to develop your own vision and achieve professional looking shots in the potentially worst places. If you do a lot of portrait photography and want some tips on thinking outside the box, you won't find better.

There's no point in understanding the technical side of photography if you don't understand composition. This classic book, updated to celebrate its 10th anniversary in , explains the principles of good composition, and how to put them into practice. It's divided up into bite-size chapters to make everything easy to follow. And usefully the images which are mainly from the author's travel photography are shown with multiple crops, thus demonstrating how one particular composition of a picture works better than another.

Following the author's reasoned and well-explained advice will help you develop your compositions and take better pictures as a result. In short, if you struggle with composition as a photographer, then you need this book. Brenda Tharp, Jed Manwaring Pages: Great photography lies not so much in technical expertise but in learning to see things in a different way to the norm. The starting point for this book is that you don't have to travel to far-flung locations to take arresting pictures; great images are possible any where.

You just have to scratch the surface and find them. Authors Brenda Tharp and Jed Manwaring encourage you to slow down, open your eyes and respond to what you see through advice, discussions and exercises. Throughout this book, you'll learn to use composition, available light, colour, and different point of views to raise the quality and interest level of your shots. Aimed at amateur photographers who have technical knowledge but are lacking purpose and vision, this insightful read will help you rediscover your photographic soul and give you new ideas and enthusiasm.

Aimed at intermediate and advanced studio photographers, this book offers expert advice on how to light your studio portrait subjects properly. Author Christopher Grey walks you through the process from start to finish, with step-by-step walkthroughs and before-and-after images demonstrating how each change you make to your lighting equipment affects the look and feel of your portraits. This book is not suitable for beginners, but anyone with some experience of taking portraits in the studio will find this practically focused and comprehensive book a useful resource in improving your understand of this essential skill.

Updated for , this popular book explains the fundamentals of exposure as it relates to light, aperture and shutter speed, in order to help you taking successful photographs in almost any situation.

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Author Bryan Peterson, founder of www. Peterson has a clear enthusiasm for his subject, and whether you're an experienced beginner or an intermediate photographer looking for a refresher, you'll get a deeper understanding of exposure from this guide that can't help but improve the quality of your images. Many of the most basic photography terms can be off-putting to the beginner, and even experienced photographers don't always understand them properly.

So this book explains the fundamentals in a quick, easy and very accessible manner, allowing you to have more control over quality of your images. By the end you'll fully understand exposure and its components, aperture, shutter speed, and ISO — also known as the Exposure Triangle — and how they work together. Every photographic term is clearly defined and thoroughly explained, as well as being highlighted by using bold caps, so that you can easily find them again to refresh your memory. With handy charts and relevant photos included to aid understanding, this book is tightly focused on helping you explain what can be complex and confusing concepts, and so it's the ideal purchase for anyone who's struggling with them.

If you're new to flash and have invested in a Canon Speedlite, this is the perfect book to help you get the most out of it. It starts with a general exploration of light and colour in photography before moving to a comprehensive breakdown of the Canon Speedlite family and all of its accessories and related equipment. Then comes the meat of the book, as the author walks you through the process of creating the right light for your shoot, whether that be an individual portrait, a group shot, an event or whatever.

But whatever the kit you have, the real joy of this book is how it walks you through the practices and workflows that will help you make the most out of flash photography using your Canon Speedlite gear. You don't always have the perfect lighting for the image you want to capture, and this can be particularly problematic for beginner and amateur photographers. Each challenge and solution and is explained clearly and logically, and you'll come away with an array of tools at your disposal next time you attempt to take a decent photograph in poor lighting conditions. Note though that although the title doesn't suggest this, all the examples given involve photographing people at weddings, etc so there's nothing here on landscape or wildlife photography, for example.

It doesn't matter how great a photographer you are, every now and again your images can benefit from a little photo editing. Photoshop remains the industry standard software, and this book by digital imaging professional Martin Evening takes you through the features of the latest version. All the tools and techniques you need to know to edit photos successfully are here, and there's also guidance on how to organise your workflow so it doesn't become too much of a drain on your time. There are lots of real world examples, plus an accompanying website that features sample images, tutorial videos, and bonus chapters to help you get the most out of this guide.

Note that this is more of big reference book than a training guide though; there's a lot of material here and would take a very long time to get through absolutely all of it. Want to learn Photoshop? Then it makes sense to learn from the creators. This guide from Adobe Press walks you key step-by-step techniques for working in Photoshop via 15 project-based lessons.

You'll learn how to correct, enhance, and distort digital images, create image composites, prepare images for print and the web, master essential elements of the interface, and try out the latest features such as Content-Aware Crop, Select and Mask, Face-Aware Liquify, multiple artboards and enhanced brush presets.

This revised edition is bang up to date for the latest release of Photoshop. Downloadable lesson files are available online, and you also get access to a web edition of the book containing interactive quizzes and videos. John Evans, Katrin Straub Pages: The companion volume to Adobe Photoshop CC Classroom in a Book see above , you can follow this guide from start to finish, or choose only those lessons that interest you.

Sal Cincotta is an international award-winning photographer and one of the most sought-after business consultants in the photographic industry. Her book aims to help you create a solid plan and vision for your business, and at the end of each chapter, there are exercises that challenge you to actively implement the lessons you've learned.

However, don't be misled by the book's title: Late at night, during the trip, he ventured from his first-class accommodation into the third-class carriages, where he came upon large groups of Polish families huddled together, returning to their homeland. I sat down [facing a sleeping] couple. Between the man and the woman a child had hollowed himself out a place and fallen asleep. He turned in his slumber, and in the dim lamplight I saw his face. What an adorable face!

A golden fruit had been born of these two peasants This is a musician's face, I told myself. This is the child Mozart. This is a life full of beautiful promise. Little princes in legends are not different from this. Protected, sheltered, cultivated, what could not this child become? When by mutation a new rose is born in a garden, all gardeners rejoice. They isolate the rose, tend it, foster it. But there is no gardener for men. This little Mozart will be shaped like the rest by the common stamping machine This little Mozart is condemned.

His intention for the visit was to convince the United States to quickly enter the war against Nazi Germany and the Axis forces , and he soon became one of the expatriate voices of the French Resistance. In the midst of personal upheavals and failing health, he produced almost half of the writings for which he would be remembered, including a tender tale of loneliness, friendship, love and loss, in the form of a young prince visiting Earth. An earlier memoir by the author recounted his aviation experiences in the Sahara, and he is thought to have drawn on the same experiences as plot elements in The Little Prince.

He wrote and illustrated the manuscript during the summer and fall of Although greeted warmly by French-speaking Americans and by fellow expatriates who had preceded him in New York, his month stay would be marred by health problems and racked with periods of severe stress, martial and marital strife. These included partisan attacks on the author's neutral stance towards supporters of both ardent French Gaullist and Vichy France. After spending some time at an unsuitable clapboard country house in Westport, Connecticut , [51] they found Bevin House, a room mansion in Asharoken that overlooked Long Island Sound.

The author-aviator initially complained, "I wanted a hut [but it's] the Palace of Versailles "; but as the weeks wore on and the author became invested in his project, the home would become " a haven for writing, the best place I have ever had anywhere in my life". One of the visitors was his wife's Swiss writer paramour Denis de Rougemont , who also modeled for a painting of the Little Prince lying on his stomach, feet and arms extended up in the air.

While the author's personal life was frequently chaotic, his creative process while writing was disciplined. On the other hand, he was ruthless about chopping out entire passages that just weren't quite right", eventually distilling the 30, word manuscript, accompanied by small illustrations and sketches, to approximately half its original length. The large white Second French Empire -style mansion, hidden behind tall trees, afforded the writer a multitude of work environments, but he usually wrote at a large dining table.

His meditative view of sunsets at the Bevin House were incorporated in the book , where the prince visits a small planet with 43 daily sunsets, a planet where all that is needed to watch a sunset "is move your chair a few steps. In addition to the manuscript, several watercolour illustrations by the author are also held by the museum.

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They were not part of the first edition. L'essentiel est invisible pour les yeux "One sees clearly only with the heart. What is essential is invisible to the eye" was reworded and rewritten some 15 times before achieving its final phrasing. Multiple versions of its many pages were created and its prose then polished over several drafts, with the author occasionally telephoning friends at 2: Many pages and illustrations were cut from the finished work as he sought to maintain a sense of ambiguity to the story's theme and messages.

Included among the deletions in its 17th chapter were references to locales in New York, such as the Rockefeller Center and Long Island. Other deleted pages described the prince's vegetarian diet and the garden on his home asteroid that included beans, radishes, potatoes and tomatoes, but which lacked fruit trees that might have overwhelmed the prince's planetoid. Deleted chapters discussed visits to other asteroids occupied by a retailer brimming with marketing phrases, and an inventor whose creation could produce any object desired at a touch of its controls.

For him, the night is hopeless. And for me, his friend, the night is also hopeless. In April a Parisian auction house announced the discovery of two previously unknown draft manuscript pages that included new text. The person he meets is an "ambassador of the human spirit".

The novella thus takes a more politicized tack with an anti-war sentiment, as 'to gargle' in French is an informal reference to 'honour', which the author may have viewed as a key factor in military confrontations between nations. Werth soon became Saint-Exupery's closest friend outside of his Aeropostale associates.

Werth spent the war unobtrusively in Saint-Amour , his village in the Jura , a mountainous region near Switzerland where he was "alone, cold and hungry", a place that had few polite words for French refugees. I ask children to forgive me for dedicating this book to a grown-up. I have a serious excuse: I have another excuse: I have a third excuse: He needs to be comforted. If all these excuses are not enough then I want to dedicate this book to the child whom this grown-up once was.

All grown-ups were children first. But few of them remember it.

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So I correct my dedication:. The following month, Werth learned of his friend's disappearance from a radio broadcast. Werth died in Paris in He had studied architecture as a young adult but nevertheless could not be considered an artist — which he self-mockingly alluded to in the novella's introduction. Several of his illustrations were painted on the wrong side of the delicate onion skin paper that he used, his medium of choice. Some appeared as doll-like figures, baby puffins, angels with wings, and even a figure similar to that in Robert Crumb 's later famous Keep on Truckin' of In a letter to a friend he sketched a character with his own thinning hair, sporting a bow tie, viewed as a boyish alter-ego, and he later gave a similar doodle to Elizabeth Reynal at his New York publisher's office.

Usually the boy had a puzzled expression Most of the time he was alone, sometimes walking up a path. Sometimes there was a single flower on the planet. One "most striking" illustration depicted the pilot-narrator asleep beside his stranded plane prior to the prince's arrival. One major source was an intimate friend of his in New York City, Silvia Hamilton later, Reinhardt , to whom the author gave his working manuscript just prior to returning to Algiers to resume his work as a Free French Air Force pilot.

Seven unpublished drawings for the book were also displayed at the museum's exhibit, including fearsome looking baobab trees ready to destroy the prince's home asteroid, as well as a picture of the story's narrator, the forlorn pilot, sleeping next to his aircraft. That image was likely omitted to avoid giving the story a 'literalness' that would distract its readers, according to one of the Morgan Library's staff.

You can almost imagine him wandering without much food and water and conjuring up the character of the Little Prince. He would remain immensely proud of The Little Prince , and almost always kept a personal copy with him which he often read to others during the war. As part of a 32 ship military convoy he voyaged to North Africa where he rejoined his old squadron to fight with the Allies, resuming his work as a reconnaissance pilot despite the best efforts of his friends, colleagues and fellow airmen who could not prevent him from flying.

Many of the book's initial reviewers were flummoxed by the fable's multi-layered story line and its morals, [12] perhaps expecting a significantly more conventional story from one of France's leading writers. Its publisher had anticipated such reactions to a work that fell neither exclusively into a children's nor adult's literature classification.

The New York Times wrote shortly before its release "What makes a good children's book?

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The Little Prince , which is a fascinating fable for grown-ups [is] of conjectural value for boys and girls of 6, 8 and Others were not shy in offering their praise. In a way it's a sort of credo. Travers , author of the Mary Poppins series of children books, wrote in a Herald Tribune review: The Little Prince will shine upon children with a sidewise gleam. It will strike them in some place that is not the mind and glow there until the time comes for them to comprehend it. The book enjoyed modest initial success, residing on The New York Times Best Seller list for only two weeks, [58] as opposed to his earlier English translation, Wind, Sand and Stars which remained on the same list for nearly five months.

As of April , [76] The Little Prince became the world's most translated book into languages together with Italian novel The Adventures of Pinocchio , excluding religious works. Katherine Woods — [77] produced the classic English translation of , which was later joined by several other English translations. Her original version contained some errors. Each translation approaches the essence of the original with an individual style and focus. Le Petit Prince is often used as a beginner's book for French-language students, and several bilingual and trilingual translations have been published.

As of , it has been translated into more than languages and dialects, including Sardinian , [85] the constructed international languages of Esperanto and Klingon , and the Congolese language Alur , as well as being printed in Braille for blind readers. It is also often used as an introduction into endangered varieties with very few speakers like Maya , Aromanian or Banat Bulgarian It is one of the few modern books to have been translated into Latin , as Regulus, vel Pueri soli sapiunt [86] [87] in by Auguste Haury — and as Regulus in by Alexander Winkler.

In , the book was also translated into Toba Qom , an indigenous language of northern Argentina , as So Shiyaxauolec Nta'a. It was the first book translated into that language since the New Testament. It was also translated to a northern Italian dialect, Vogherese. Anthropologist Florence Tola, commenting on the suitability of the work for Toban translation, said there is "nothing strange [when] the Little Prince speaks with a snake or a fox and travels among the stars, it fits perfectly into the Toba mythology".

Linguists have compared the many translations and even editions of the same translation for style, composition, titles, wordings and genealogy. Many of them are titled Prince From a Star , while others carry the book title that is a direct translation of The Little Prince. The book in its final form has also been republished in 70th anniversary editions by Houghton Mifflin Harcourt in English and by Gallimard in French. Chile had its first translation in ; Peru in February ; Venezuela in , and Uruguay in The argentine writers Julia Bucci and Malena Gagliesi rewrote the story with gender neutrality and switched many characters to the female gender, including the protagonist.

The book is titled "La Principesa" "The little princess" , and it was published by Espejos Literarios in The Little Prince is one of the most popular and beloved foreign works of literature in China. It is reported that there are more than 70 Chinese translations of the novella. Died for France , which was applied by the French government in Additionally, the title character himself has been adapted in a number of promotional roles, including as a symbol of environmental protection , by the Toshiba Group.

The multi-layered fable, styled as a children's story with its philosophical elements of irony and paradox directed towards adults, allowed The Little Prince to be transferred into various other art forms and media, including:. The exhibition displayed the original manuscript, translated by the museum's art historian Ruth Kraemer, [] as well as a number of the story's watercolours drawn from the Morgan's permanent collection. In January , the museum mounted a third, significantly larger, exhibition centered on the novella's creative origins and its history.

The major showing of The Little Prince: A New York Story celebrated the story's 70th anniversary. It was if visitors were able to look over his shoulder as he worked, according to curator Christine Nelson. The new, more comprehensive exhibits included 35 watercolor paintings and 25 of the work's original handwritten manuscript pages, [] with his almost illegible handwriting penciled onto 'Fidelity' watermarked onion skin paper.

The autograph manuscript pages included struck-through content that was not published in the novella's first edition. As well, some 43 preparatory pencil drawings that evolved into the story's illustrations accompanied the manuscript, many of them dampened by moisture that rippled its onion skin media. He presented his working manuscript and its preliminary drawings in a "rumpled paper bag", placed onto her home's entryway table, offering, "I'd like to give you something splendid, but this is all I have".

One of the "story playgrounds" — a series of playgrounds themed after famous children's stories in Holon , Israel — is themed after The Little Prince.

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It features sculptures and play structures depicting scenes and characters from the book. From Wikipedia, the free encyclopedia. This article is about the novella. For the animated film, see The Little Prince film. For other uses, see Little Prince. List of The Little Prince adaptations. Other sources, such as LePetitPrince.

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A Memoir , published in Taking off with an open book balanced on his leg, his ground crew would fear his mission would quickly end after contacting something "very hard". On one flight, to the chagrin of colleagues awaiting his arrival, he circled the Tunis airport for an hour so that he could finish reading a novel. Their discussions, passed through Anne's meager French, were somewhat muted.

However, the excited conversation between Antoine and Anne soon blossomed "like monster flowers", with each finishing the other's sentences.

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The meeting between the two future P war pilots was termed "less than a rousing success". Moreover, Charles later became unhappy about his wife's vast esteem for the French adventurer. He originally wrote the story with 43 sunsets, but posthumous editions often quote '44 sunsets', possibly in tribute. He utilized all his contacts and powers of persuasion to overcome his age and physical handicap barriers, which would have completely barred an ordinary patriot from serving as a war pilot. He volunteered for almost every such proposed mission submitted to his squadron, and protested fiercely after being grounded following his second sortie which ended with a demolished P His connections in high places, plus a publishing agreement with Life Magazine , were instrumental in having the grounding order against him lifted.

In response, de Gaulle struck back at the author by implying that the author was a German supporter, and then had all his literary works banned in France's North African colonies. Retrieved 26 October Archived 2 May at the Wayback Machine.

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Retrieved 6 January Johnston Press Digital Publishing. Retrieved 4 August Retrieved 26 October subscription. Archived from the original on 7 June Retrieved 5 February Retrieved 5 May The Little Prince Tone , Shmoop. Retrieved 7 April Retrieved 6 April A Biography , New York: Linking Nuclear Science and Diplomacy". La Presse , 13 September Retrieved 16 October Retrieved 19 May Retrieved 25 March Saint-Exupery in New York".

The New York Times. Retrieved 22 October Retrieved 24 January Retrieved 10 August Visions of a Little Prince. Archived from the original documentary research on 9 November