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Oct 29, Jessica is currently reading it Shelves: However, I've decided that I can include most other artists and humans for that matter, in the repulsive category so I decided to set my hatred aside and get this book. I'm really enjoying it. View all 3 comments. Mar 02, Autumn rated it liked it.

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It's Rimbaud, and on one hand I really enjoy reading this book, but on the other, I don't. It may take me a few more of his books to find out whether I like him or not. Nov 20, Joshie rated it liked it Shelves: I was partly curious and partly intrigued with the section dedicated to Wojnarovicz's Rimbaud in New York.

This exhibit featured a number of people who donned Rimbaud masks with their photographs taken at different underground locations in New York. A hint of rebellion underneath the grit and grim can be felt in these photos. Rimbaud's face was pensive; prim and proper. I want to be a poet, and I'm working at turning myself into a seer. You won't understand any of this, and I'm almost incapable of explaining it to you.


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The idea is to reach the unknown by the derangement of all the senses. It involves enormous suffering, but one must be strong and be a born poet. It's really not my fault. He lived a vagrant, libertine life which earned him the reputation of being an enfant terrible all the while having a tumultuous and lustful liaison with another poet, Paul Verlaine. Afterwards, he gave up writing, travelled around Europe, and never looked back.

These major works were lauded and praised by critics alike with their influence apparent on modernism, surrealism and even punk movements. This paperback edition is a back-to-back collection of Rimbaud's two major works. His works were often in free-verse; evocative, elusive, often filled with symbolism which I personally found rather puzzling most of the time. I acknowledge that I may not have enough knowledge to completely understand them and I would not even try to write my interpretations. Most of these related to his personal life which were often nostalgic, tragic, and drastic.

Altogether, a solid collection which burned like hell and illuminated like fireflies dancing in the moonlight. My takeaways from this book: There's nothing I wouldn't contemplate doing now, burdened as I am with the contempt of the most contemptible of hearts. But what did he want with me, drab and lifeless as I was? I saw that all living things were doomed, to bliss: Morality is a weakness of mind. What will become of the world when you leave?

No matter what happens, no trace of now will remain. Aug 06, Sofia rated it it was ok Shelves: Is This It I've been relistening to Eyedea lately, read him instead. Jun 09, Ana rated it it was amazing. This is the Mark Taharne translation; in his introduction he spells out the enormous difficulties involved with translating and interpreting the poetry, and advises readers to look at as many translations as possible. The latter is a marvellous ongoing immersion in 'soundscapes', music, song and spoken word. The R3 site and its blog say of this production: An abridged radio reworking o This is the Mark Taharne translation; in his introduction he spells out the enormous difficulties involved with translating and interpreting the poetry, and advises readers to look at as many translations as possible.

An abridged radio reworking of Rimbaud's intense masterpiece of spiritual disillusionment, narrated by Carl Prekopp with a soundscape by Bristol composer Elizabeth Purnell and poems sung by Robert Wyatt. A Season in Hell was written between April and August in London and France, when Rimbaud was 18, and in the throes of an intense, transgressive and destructive relationship with Verlaine. It is regarded as one of the most remarkable pieces of prose poetry ever written - a mixture of autobiography and enigmatic dream sequence in which Rimbaud looks back in despair over his life as a poet.

Combining lucid self-appraisal with demented vision, it moves between hyper-realism and hallucinatory surrealism, blending sounds, colours, odours and intensely visual images. The 25 pages of A Season in Hell, here cut to a third of its length, are seen as both a testimony to and a tortured recantation of Rimbaud's poetic credo, the 'disordering of all the senses'. Elizabeth Purnell's soundtrack for the work includes composed music, field recordings and processed sound in a raw response to the words; she set the poems specifically for Wyatt, whose voice in its high, delicate register suggests a beyond-the-grave alter-ego to the young Rimbaud.

The programme will be broadcast in Between the Ears on Saturday 14 November at 9. Here, producer Sara Davies gives a fascinating account of the journey from the idea of turning the work into radio, through various artistic twists and turns, to the version listeners will hear on Saturday. About thirty years ago I was in a bar in a small Mexican town where a French actor gave a thoroughly eccentric performance of some of Rimbaud's poetry to a musical accompaniment.

He didn't include the prose poem A Season in Hell, probably because it defied even his eccentricity and powers of performance. Later, it seemed to me that radio was the ideal place to try to find expression for its insistent, wild, knowing autobiographical voice and emotional complexity. I knew I'd have to make fierce cuts to fit it into half an hour, and had imagined I'd drop the songs which appear about two thirds of the way through the piece, as they seemed to me to be the most problematic elements in a pretty knotty piece of writing.

But when we talked about it, Liz argued convincingly for at least some of them to be left in, and I realised when she talked about wanting to set them for Robert Wyatt that she was absolutely right.

A Season in Hell & Illuminations

We decided on the three we both felt would work best, based on instinct rather than any literary judgement; literary judgements about the poem itself are so disparate and interpretations so varied that it was liberating not to have any orthodoxy to follow. Liz says she wanted the songs to suggest a kind of alter-ego Rimbaud, speaking from beyond the grave, and that she asked Wyatt to sing them because of his sense of spontaneity, his interest in poetry and the wonderful delicate nature of his voice in the high register.

Robert was keen to sing the songs mainly in the original French - something I hadn't envisaged, but was charmed when Liz brought the recordings back. Liz knew she was pushing him to the top of his register, but he went for it, and with lots of fag breaks and cups of tea, they got the recordings done over an afternoon and the following morning. One of the most enjoyable recording sessions she's ever done, she says - and not a lorry to be heard in the background.

Contains language that might cause offence.

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Pourquoi la femme noire pour la nuit? Une vieille vision venue des temps les plus anciens. A Season in Hell quotes: I despise all trades. Foreman and workmen--all of them, peasants, riff-raff. The hand that writes is as good as the hand that ploughs. Next, domesticity goes too far. The honesty of begging sickens me. Criminals are as disgusting as castrati. Myself, I'm intact, and I don't give a damn. I wait for A Season in Hell quotes: I wait for God with gluttony. I belong to an inferior race throughout eternity. Life's the joke each of us keeps on playing.

I think I'm in hell, therefore I am. I'm going to unveil all the mysteries: I'm a master of hallucinations. I ended up viewing the disorder of my mind as sacred. I envied the happiness of animals--the caterpillars that represent the innocence of limbo--the moles, the sleep of virginity!

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And we'll go on enjoying ourselves, dreaming up monstrous loves and fantastic universes, gripping and criticizing the world's disguises--acrobat, beggar, artist, outlaw--priest! I've tried to invent new flowers, new stars, new flesh, new tongues. I thought I'd acquired supernatural powers. Spiritual combat's as brutal as battling with people, but the vision of justice is the pleasure of god alone. Didn't find this translation of Illuminations impressive, John Ashberry's is superior Season in Hell is a poem published in I first heard of this book from Eddie and the Cruisers movie.

I have been wanting to read this book for about 20 years. This is a work of genius about dealing with change and dealing with being very different in the century where change is difficult. The most remarkable part of this book is that we are still dealing the same issues today, mental health and homosexuality and a society on the cusp on change. Change is hard to deal with and in his words, Season in Hell is a poem published in Change is hard to deal with and in his words, the key is charity. This talks about the changing of old wives tales to science and how science is winning.

The Western mode of thinking is too narrow for some people and the eastern methods work better. This goes beyond religion and goes to the nature of God. This poem is fairly short and can be read in one day but will keep you thinking for weeks about the social implictions of the book. For anyone who wants to read some beautiful prose that still matters today. A season in hell is one of those books that shows the artistry of being different, questioning both Catholicisim and religion in general for being too restrictive.

Charity and forgiveness are what the world needs, not judgement of being different. Insane asylums were reserved for the different all the way into the 20th century. This is a beautiful poem with striking implications in todays world. Oct 07, Mr.

Editions of A Season in Hell & Illuminations by Arthur Rimbaud

Rimbaud skillfully draws the reader into the world of damnation, the world of the self. He confronts the essence of nihilism and self-loathing in this remarkable poem, composed at the astonishing age of Like Dante, Milton, and perhaps Pound, Rimbaud is able to bend the language to engage the reader in a transcendental understanding of the human condition and psyche.

There are poems in here of promethean beauty that prefigure the rebellious spirit of French artistic bohemians in the dawn of t Rimbaud skillfully draws the reader into the world of damnation, the world of the self. There are poems in here of promethean beauty that prefigure the rebellious spirit of French artistic bohemians in the dawn of the 20th century: One night, I sat Beauty on my knee. I took arms against justice.

I fled, entrusting my treasure to you, o witches, o misery, o hate. I snuffled any hint of human hope from my consciousness. I made the muffled leap of a wild beast into any hint of joy, to strangle it.

This is an altogether excellent edition of Season and Hell and Illuminations, with a lucid and stark translation by Wyatt Mason. The Modern English library has also included the original French text, complete with a chronology of the poet's life and comprehensive facsimiles of the original texts for true bookworms who want to look at Rimbaud's corrections.


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Dec 23, Feliks rated it did not like it Shelves: Along with prose author Louis-Ferdinand Celine the astounding hypocrite and Cervantes talented but misguided oaf Arthur Rimbaud is one of the few classic authors I strenuously avoid. I shun him, his work, and his reputation. I will allow only that he had precocious, ahead-of-his-years skill in constructing poems; but not that he has any particular message or set of ideas worth attending upon.

Because practically no 18 yr old boy has anything relevant to say to me about anything. I don't Along with prose author Louis-Ferdinand Celine the astounding hypocrite and Cervantes talented but misguided oaf Arthur Rimbaud is one of the few classic authors I strenuously avoid. I don't care how good a poet he is, whats does he know about hardship or struggle? Let him first, live.


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Let him first be a man a heterosexual man. Let him first love, care for, and provide for a woman, home, and family. Or let him fight for his country or against his country either. Blood, sweat, or tears! Let him work all his days only to see all his efforts, goals, hopes, and yearnings fail and come to naught! Then let him come to me and tell me about life. Otherwise--to me--he is still wet-behind-the-ears, a green kid, a tyke, a brat, and an infant. This is now joined by I Promise to Be Good: No admirer of Rimbaud will want to be without it.

Mason acts as conductor, whispering into our ears through footnotes that treat their subject playfully and respectfully at the same time. Also in Modern Library Classics. Also by Arthur Rimbaud. See all books by Arthur Rimbaud. Inspired by Your Browsing History. Looking for More Great Reads? Download our Spring Fiction Sampler Now. LitFlash The eBooks you want at the lowest prices. Read it Forward Read it first.