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With this fresh news, I was excited to read the story. The story follows a young woman who lives with her father and two governesses in a castle in Styria.


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Events really begin when they receive another young woman, Carmilla, as a guest. Carmilla has her own eccentricities and they lead directly into keeping the story interesting and very easy to grasp.

Carmilla / The Evil Guest (Illustrated & Annotated) (Definitive Classics Series Book 1)

There are even some steamy-for-the-times scenes where Carmilla is draining her victim. All told, much better than my initial expectations when starting the book. The other half of the book is "The Evil Guest. While this was easy to get beyond in "Carmilla", that was not the case with "The Evil Guest. It also didn't help that it dragged on. The story could have easily been condensed and not lost anything.

Maybe the mood would have been lessened a bit but I would have gladly sacrificed that to reach the ending sooner. Besides I kept losing the story's mood when I was bored with the nothing that was happening. It would have also helped with a better revelation at the end of the story. With the story length, I was hoping for a big reveal. Something worth all the drudge of reading.

Instead the ending was more along the lines of "That's it? This wasn't really a story so much as a real life account of an Austrian soldier documenting the state of some bodies in a small village. It is more of note since it was a case where the Austrians were confirming the presence of vampires. This is not a story but a real report. This item has not been rated yet. People start dying, and Laura also becomes ill. Laura's father is worried. Will his daughter die too? Or can the deaths be stopped? How can I use this format?

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Your notification has been sent Lulu Staff has been notified of a possible violation of the terms of our Membership Agreement. Upon arriving at Karnstein, the General asks a woodman where he can find the tomb of Mircalla Karnstein. The woodman says the tomb was relocated long ago by the hero, a Moravian nobleman, who vanquished the vampires that haunted the region. While the General and Laura are alone in the ruined chapel, Carmilla appears.

The General and Carmilla both fly into a rage upon seeing each other, and the General attacks her with an axe.

Carmilla disarms the General and disappears. The General explains that Carmilla is also Millarca, both anagrams for the original name of the vampire Mircalla, Countess Karnstein. The party is joined by Baron Vordenburg, the descendant of the hero who rid the area of vampires long ago.


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  6. Vordenburg, an authority on vampires, has discovered that his ancestor was romantically involved with the Countess Karnstein before she died and became one of the undead. Using his forefather's notes, he locates Mircalla's hidden tomb. Immersed in blood, it seems to be breathing faintly, its heart beating, its eyes open. A stake is driven through its heart, and it gives a corresponding shriek; then the head is struck off. The body and head are burned to ashes, which are thrown into a river.

    Afterward, Laura's father takes his daughter on a year-long tour through Italy to regain her health and recover from the trauma, which she never fully does. As with Dracula , critics have looked for the sources used in the writing of Carmilla. This is evidenced by a report analyzed by Calmet, from a priest who learned information of a town being tormented by a vampiric entity three years earlier. Having traveled to the town to investigate and collecting information of the various inhabitants there, the priest learned that a vampire had tormented many of the inhabitants at night by coming from the nearby cemetery and would haunt many of the residents on their beds.

    An unknown Hungarian traveler came to the town during this period and helped the town by setting a trap at the cemetery and decapitating the vampire that resided there, curing the town of their torment. This story was retold by LeFanu and adapted into the thirteenth chapter of Carmilla [10] [11] [12] [13].

    Hall's account provides much of the Styrian background and, in particular, a model for both Carmilla and Laura in the figure of Jane Anne Cranstoun, Countess Purgstall.

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    Carmilla, the title character, is the original prototype for a legion of female and lesbian vampires. Though Le Fanu portrays his vampire's sexuality with the circumspection that one would expect for his time, it is evident that lesbian attraction is the main dynamic between Carmilla and the narrator of the story: Sometimes after an hour of apathy, my strange and beautiful companion would take my hand and hold it with a fond pressure, renewed again and again; blushing softly, gazing in my face with languid and burning eyes, and breathing so fast that her dress rose and fell with the tumultuous respiration.

    It was like the ardour of a lover; it embarrassed me; it was hateful and yet overpowering; and with gloating eyes she drew me to her, and her hot lips travelled along my cheek in kisses; and she would whisper, almost in sobs, "You are mine, you shall be mine, and you and I are one for ever.

    Carmilla (Illustrated)

    When compared to other literary vampires of the 19th century, Carmilla is a similar product of a culture with strict sexual mores and tangible religious fear. While Carmilla selected exclusively female victims, she only becomes emotionally involved with a few. Carmilla had nocturnal habits, but was not confined to the darkness. She had unearthly beauty, and was able to change her form and to pass through solid walls. Her animal alter ego was a monstrous black cat, not a large dog as in Dracula. She did, however, sleep in a coffin.

    Carmilla works as a Gothic horror story because her victims are portrayed as succumbing to a perverse and unholy temptation that has severe metaphysical consequences for them.

    Carmilla / The Evil Guest (Illustrated & Annotated) by J. Sheridan Le Fanu

    Some critics, among them William Veeder , suggest that Carmilla , notably in its outlandish use of narrative frames, was an important influence on Henry James ' The Turn of the Screw Although Carmilla is a lesser known and far shorter Gothic vampire story than the generally considered master work of that genre, Dracula , the latter is heavily influenced by Le Fanu's novella. Stoker's posthumously published short story " Dracula's Guest " , known as the deleted first chapter to Dracula , shows a more obvious and intact debt to Carmilla:.

    From Wikipedia, the free encyclopedia. This article is about the novella. For other uses, see Carmilla disambiguation. This article's lead section does not adequately summarize key points of its contents. Please consider expanding the lead to provide an accessible overview of all important aspects of the article.